The
Bohemian Club is a
private club with two locations: a city clubhouse in the
Union Square district of
San Francisco,
California and the
Bohemian Grove, a retreat north of the city in
Sonoma County. Founded in 1872 from a regular meeting of journalists, artists, and musicians, it soon began to accept businessmen and entrepreneurs as permanent members, as well as offering temporary membership to university presidents (notably
Berkeley and
Stanford) and military commanders who were serving in the
San Francisco Bay Area. Today, the club has a membership of many local and global leaders, ranging from artists and musicians to businessmen.
In New York City and other American metropolises in the late 1850s, groups of young, cultured journalists flourished as self-described "bohemians", until the
American Civil War broke them up and sent them out as war correspondents. During the war, reporters began to assume the title "bohemian", and newspapermen in general took up the moniker. "Bohemian" became synonymous with "newspaper writer". California journalist
Bret Harte first wrote as "The Bohemian" in
The Golden Era in 1861, with this persona taking part in many satirical doings. Harte described San Francisco as a sort of Bohemia of the West.
Mark Twain called himself and poet
Charles Warren Stoddard bohemians in 1867.
The Bohemian Club was originally formed in April 1872 by and for
journalists who wished to promote a fraternal connection among men who enjoyed
the arts.
Michael Henry de Young, proprietor of the
San Francisco Chronicle, provided this description of its formation in a 1915 interview:
The Bohemian Club was organized in the Chronicle office by Tommy Newcombe, Sutherland, Dan O'Connell, Harry Dam, J.Limon and others who were members of the staff. The boys wanted a place where they could get together after work, and they took a room on Sacramento street below Kearny. That was the start of the Bohemian Club, and it was not an unmixed blessing for the Chronicle because the boys would go there sometimes when they should have reported at the office. Very often when Dan O'Connell sat down to a good dinner there he would forget that he had a pocketful of notes for an important story.
Journalists were to be regular members; artists and musicians were to be honorary members. The group quickly relaxed its rules for membership to permit some people to join who had little artistic talent, but enjoyed the arts and had greater financial resources. Eventually, the original "bohemian" members were in the minority and the wealthy and powerful controlled the club. Club members who were established and successful, respectable family men, defined for themselves their own form of bohemianism which included men who were
bons vivants, sometime outdoorsmen, and appreciators of the arts. Club member and poet
George Sterling responded to this redefinition:
Any good mixer of convivial habits considers he has a right to be called a Bohemian. But that is not a valid claim. There are two elements, at least, that are essential to Bohemianism. The first is devotion or addiction to one or more of the Seven Arts; the other is poverty. Other factors suggest themselves: for instance, I like to think of my Bohemians as young, as radical in their outlook on art and life; as unconventional, and, though this is debatable, as dwellers in a city large enough to have the somewhat cruel atmosphere of all great cities.
Despite his purist views, Sterling associated very closely with the Bohemian Club, and caroused with artist and industrialist alike at the
Bohemian Grove.
Oscar Wilde, upon visiting the club in 1882, is reported to have said "I never saw so many well-dressed, well-fed, business-looking Bohemians in my life."
A number of past membership lists are in public domain, but modern club membership lists are private. Some prominent figures have been given honorary membership, such as
Richard Nixon and
William Randolph Hearst. Members have included some
U.S. presidents (usually before they are elected to office), many
cabinet officials, and
CEOs of large corporations, including major financial institutions. Major
military contractors, oil companies, banks (including the
Federal Reserve), utilities, and national media have high-ranking officials as club members or guests. Many members are, or have been, on the board of directors of several of these corporations; however, artists and lovers of art are among the most active members. The club's bylaws require ten percent of the membership be accomplished artists of all types (composers, musicians, singers, actors, lighting artists, painters, authors, etc.). During the first half of the 20th century membership in the club was especially valued by painters and sculptors, who exhibited their work on the premises, in both permanent displays and special exhibitions, and did not pay any commissions on sales to members. Many of the club's artists were nationally recognized figures, such as
William Keith,
Arthur Frank Mathews,
Xavier Martinez,
Jules Eugene Pages,
Edwin Deakin,
William Ritschel,
Jo Mora,
Maynard Dixon and
Arthur Putnam.
The club motto is "Weaving Spiders Come Not Here", a line taken from Act 2, Scene 2, of Shakespeare's
A Midsummer Night's Dream. The club motto implies that outside concerns and business deals are to be left outside. When gathered in groups, Bohemians usually adhere to the injunction, though discussion of business often occurs between pairs of members.
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Belizean Grove – Women-only club in New York City modeled after the Bohemian Grove
Bilderberg Group .
Trilateral Commission .
The Family (club) .
Rancheros visitadores .
List of American gentlemen's clubs .
Membership discrimination in California social clubs .
